Aura Satz, 'Between the Bullet and the Hole', 2015

Between the Bullet and the Hole is a new film centred on the elusive and complex effects of war on women's role in ballistic research and early computing. The film features new and archival high speed bullet photography, schlieren and electric spark imagery, bullet sound wave imagery, forensic ballistic photography, slide rulers, punch cards, computer diagrams, and a soundtrack by Scanner. Like a frantic animation storyboard, it explores the flickering space between the frames, testing the perceptual mechanics of visual interpolation, the possibility of reading or deciphering the gap between before and after. Interpolation - the main task of the women studying ballistics in WW2 - is the construction or guessing of missing data using only two known data points. The film tries to unpack this gap, open it up to interrogation. It questions how we read, interpolate or construct the gaps between bullet and hole, perpetrator and victim, presence and absence.

'Her Marks, a Measure'

Solo exhibition at Dallas Contemporary

'Her Marks, a Measure' is an exhibition exploring the role women's labour in astronomy and ballistics. In both these fields women made significant contributions to observation, data collection, and computation. Alongside the film Between the Bullet and the Hole, the show features Her Luminous Distance, a slide-based installation which uses a Blink Comparator, a device used by astronomers to detect small pattern differences between photographic plates by alternately switching between images, blinking back and forth between the two. The PROBLICOM (Projector Blink Comparator) was invented by amateur astronomer Ben Mayer, using two juxtaposed slide projectors and a rotating disc, alternately occulting the images at a stroboscopic pace. The accompanying binaural soundtrack is a pulsing rhythmic drone which plays on the perception of patterns.

Developed from research on the pioneering deaf astronomer Henrietta Swan Leavitt (1868-1921), the project attends to the lesser known women who contributed to important astronomical discoveries, in particular the women known as 'Human Computers' at Harvard, who were engaged in painstaking astronomical observation and classification. In her extensive studies of Variable Stars, Leavitt discovered the period-luminosity relation, which ultimately helped calibrate a method to determine the size of the universe. The blinking slide sequence includes images drawn from Leavitt's original annotated photographic plates of Variable stars, archival images from the Human Computers' workplace, and a series of over 20 images of craters on the moon named after women astronomers. The Leavitt Crater is on the far side of the moon, and is also in honour of deaf scientists.

In addition to the film and slide-based installation the exhibition features circular lenticular prints.

Dallas Contemporary
161 Glass St
Dallas, Texas
TX 75207, USA
http://www.dallascontemporary.org/"
Installation views of 'Her Marks, a Measure' at Dallas Contemporary, 2016. Photo by Kevin Todara.

'Her Marks, a Measure'

Solo exhibition at Fridman Gallery

Launch of exhibition catalogue with essays by Justine Ludwig, Erika Balsom and Omar Kohleif. Aura Satz in conversation with Dallas Contemporary Senior Curator Justine Ludwig at 5pm.

287 Spring Street
New York, NY 10013
Telephone (646) 345 9851
http://www.fridmangallery.com/
https://www.fridmangallery.com/aura-satz

'Open Space 2017: Re-envisioning the Future', Group exhibition at NTT InterCommunication Center (ICC), Tokyo

Including Ogata Hisato, Aura Satz, Sougwen Chung. Tokui Nao + Dozono Shoya, nor, Gregory Barsamian, Kyle McDonald, Mihara Soichiro, Yuan Goang-Ming. Curated by Minoru Hatanaka.

Artist's talk on Sunday the 28th May, 4pm

http://www.ntticc.or.jp/en/exhibitions/2017/open-salon-artists-talk-aura-sats-may-28-2017/

Artist's podcast

http://www.ntticc.or.jp/en/channel-icc/podcast/icc-os2017-aura-satz/

NTT InterCommunication Center [ICC]

Tokyo Opera City Tower 4F
3-20-2 Nishishinjyuku, Shinjuku-ku, Tokyo 163-1404
E-mail: query@ntticc.or.jp

http://www.ntticc.or.jp/en/exhibitions/2017/open-space-2017-re-envisioning-the-future/
http://www.ntticc.or.jp/en/archive/participants/aura-satz/

'Machines of Loving Grace'

Three-person exhibition at High Line Art, New York: Nat Castaneda, Aura Satz and Erica Scourti

'Machines of Loving Grace' is an exhibition in video format featuring three artists who address contemporary and historical technologies, and humans' eerie and shifting relationships with them. Curated by Melanie Kress.

The High Line is an elevated freight rail line transformed into a public park on Manhattan's West Side. The High Line is located on Manhattan's West Side, running from Gansevoort Street in the Meatpacking District to West 34th Street, between 10th & 11th Avenues. Exhibition on the High Line at 14th St. Daily, beginning at dusk

http://art.thehighline.org/project/machines-of-loving-grace/
http://art.thehighline.org/

Screenings:

27 Jan- 7 Feb 2016

European premiere at the International Film Festival Rotterdam, Rotterdam

https://iffr.com/en/2016/combinedprogrammes/on-target
https://iffr.com/en/2016/films/between-the-bullet-and-the-hole
18 Feb 2016

'Between the Bullet and the Hole' (Plus Other Shorts) + Q&A at Whitechapel Gallery, London

Followed by discussion with Morgan Quaintance and David Alan Grier
Whitechapel Gallery
77-82 Whitechapel High St
London E1 7QX
http://www.whitechapelgallery.org/events/aura-satz-bullet-hole/
24 March 2016

'In and Out of Synch', Liquid Architecture and Gertrude Contemporary present an evening of films and sound with Aura Satz

Followed by discussion with Joel Stern

Gertrude Contemporary
200 Gertrude St, Fitzroy
Melbourne VIC 3065
Australia
https://liquidarchitecture.org.au/events/aura-satz-in-and-out-of-synch
https://liquidarchitecture.org.au/events/aura-satz-talk
http://www.gertrude.org.au/
21-31 July 2016

Shortlisted for the EUROPEAN SHORTS Competition - New Horizons International Film Festival, Wroclaw, Poland

http://www.nowehoryzonty.pl/index.do?lang=en
9 October 2016

Screening as part of Experimenta, London Film Festival, BFI Southbank, London

https://whatson.bfi.org.uk/lff/Online/default.asp?BOparam::WScontent::loadArticle::permalink=reinterpretationsofform
7 March 2017

'Between the Bullet and the Hole' (Plus Other Shorts) + Q&A at HOME Manchester

HOME Manchester
2 Tony Wilson Place
Manchester M15 4FN
https://homemcr.org/event/between-the-bullet-and-the-hole-plus-other-shorts-qa/
Part of: Artist Talks https://homemcr.org/event/artist-talks/

Acquired by Arts Council Collection in 2018

http://www.artscouncilcollection.org.uk/artwork/between-bullet-and-hole

Artforum 500 words, by Agnietszka Gratza http://www.artforum.com/words/#entry57468

Artforum 500 words, by Agnietszka Gratza http://www.artforum.com/words/#entry57468

Studio International interview with Anna McNay http://www.studiointernational.com/index.php/aura-satz-interview-the-trembling-line-women-computers-technology

Mousse Magazine interview with Lis Rhodes and Agnietszka Gratza, February 2016 issue

http://moussemagazine.it/

Blouin Artinfo 20th Sydney Biennale Q&A with Nicholas Forrest May 2016

http://uk.blouinartinfo.com/news/story/1414239/20th-sydney-biennale-qa-aura-satzs-bullet-and-the-hole

http://www.ntticc.or.jp/en/channel-icc/podcast/icc-os2017-aura-satz/

Credits:

Directed, edited, and scripted by Aura Satz
Music by Scanner
Special thanks first and foremost to Lis Rhodes, for all the words and exchanges
Thanks to David Alan Grier for his inspirational research and input
Ballistic imagery shot at Cranfield University with Thierry Bal, special thanks to James Shackel
Schlieren imagery and film clips provided by Aimed Research, thanks to Nathan Boor
Electric spark photography from Dayton Clarence Miller, 'Sound Waves: Their Shape and Speed' (1937)
Comparison Microscope Forensic Ballistic imagery provided by Alison Quereau, Firearms Unit, Palm Beach County Sheriff's office.
Edgerton images courtesy Harold Edgerton Archive, Palm Press, Inc. and the Michael Hoppen Gallery. Thanks to Simon Baker, Clemmie Cooke
Punchcard scans provided by Computer History Museum, thanks to Chris Garcia
Selected imagery from the Imperial War Museum, thanks to Martin Anthony
Additional thanks to Stuart Croft, Shira Hess, Phoebe von Held, Thierry Bal, Brian Dillon, Daniel Norwood, David Alan Grier, Andrew Davidhazy, Zoe Whitley, Justine Ludwig, and Jackie Stewart
Funded by Arts Council England, Co-commissioned by Dallas Contemporary and the Sydney Biennale, with additional support from Peter and Jackie Stewart.